Push to Publish, Realms Faire & other Fabulous Fall Happenings!

Every year, I'm a Writing for Kids and Teens panelist, and on the Speed-Dating with the Agents & Editors team at the amazing Push to Publish event, sponsored by Philadelphia Stories. It's located at Rosemont College, 1400 Montgomery Avenue, in Rosemont, PA. This is a great place to mix informally with writers, social media experts and freelance editors to talk shop. Authors like the fabulous Gregory Frost and Beth Kephart make regular appearances, as well as the talented indie author, Alison DeLuca, and of course, yours truly, MOI! Oh, and check out Marie Lamba, an agent with the De Chiara agency who's running an intensive workshop this year.
Do you need advice on your work in progress?
Want a seasoned manuscript advisor to edit your WIP?
Um... that would be me!
So, if you are anywhere near the Philly/Rosemont/Bryn Mawr area on OCTOBER 12th, from 9 am to 5 pm join us for this great event.
To register, click here. And click here for a full list of participating editors, agents & authors.

More news... I recently announced that I've joined a great group of authors who write speculative fiction. We're called Untethered Realms. M Pax, and some others are organizing a Realms Faire, with TONS of fun ACTIVITIES and PRIZES. Mark your calendars! It's November 11 through 15th. For a jumpstart on all of the games and sign up sheets, click here. Follow our blog for the latest on this, and other news on everything spec. Oh, and check out our newly launched, and more established novels--everything from horror to YA sci-fi to space opera.

One last but very cool thing, it's official, I'm an MFA thesis advisor! That's right, I am the thesis advisor for all writers taking on YA and NA projects at Rosemont College. Rosemont has an excellent MFA in Creative Writing program! Yay, Rosemont, and yay me! I love working with students and aspiring authors, and this will be an exciting venture.

What thrilling events do you have lined up for the fall?
Book launches, conventions, panels, classes?
Share it here.

Ellie Garratt's Story Collection Launch & the Apocalypse Blog Hop Continues!

I've got two events: the continuation of the apocalypse blog hop and the launch of sci-fi and horror writer, Ellie Garratt's story collection, Taking Time.
For those who hopped over for the apoc-hop, scroll down to the awesome prizes and the Rafflecopter!!!

A blurb about Ellie Garratt's Taking Time:
Science fiction stories of time and space...

The future of humanity must be decided in Next Phase. Winning the Planetary Lottery is not as lucky as it first seems in Schrodinger's Gamble. An apocalypse and its aftermath threaten to tear one couple apart in Daiker's Children. In Life As I Know It a reclusive man finds both his heart and home invaded during an alien harvest. In Taking Time a demon seeking shelter on a distant planet finds himself facing a very different kind of demon, after answering a frontier settlement's plea for help. Stories range from flash fiction to novelette in length.

Amazon, Amazon UK, Goodreads, Twitter, Facebook, Ellie's website
About Ellie:

A life-long addiction to reading science fiction and horror meant writing was the logical outlet for Ellie Garratt’s passions. She is a reader, writer, blogger, Trekkie, and would happily die to be an extra in The Walking Dead. Her short stories have been published in anthologies and online. Passing Time: Nine Short Tales of the Strange and Macabre was published in March 2013 and contains nine previously published stories. Taking Time and Other Science Fiction Stories is her second short story collection.

As far as apocalypse goes, one of my favorite writers, Don DeLillo posits in his novel, Point Omega, we have an irrepressible urge to become “dumb as stones”, to unburden ourselves of our consciousness in one great, cataclysmic endgame explosion? What happens after the Omega Point—the rising timeline that rushes to the point of maximum complexity, after which the universe will become unrecognizable due to its enormous changes?

Or is it more an urge to reconstruction and reinvention—to a re-virgined world, fresh and exciting in its newness? Why else would we keep creating these explosive “ends”?

In DeLillo’s Point Omega, his characters who discuss the state of the world, have a very personal omega point after a shocking turn of events.

In Ruby’s Fire, my post-apoc fantasy, the world has already experienced a fiery sort of death, and is in the infant stages of reforming—that perilous place that could tip to metamorphosis or final death.

In Jonathan Maberry’s Rot and Ruin, the world is being overrun by Zombies.

In this blog hop, I'm giving away a copy of each of these books (and more), to the person who leaves the most insightful and creative comment about their take on apocalypse. That and entering the Rafflecopter suggestions. Get your apocalypse on, and after you’re done here, visit other great sites in the apoc-hop.
a Rafflecopter giveaway

After a month of Hitchcock-style events...

Sometimes you get that perfect, thoughtful review by someone who totally gets your book. In the middle of a dreadful month of apartment floods, five weeks of no hot water and gas for cooking due to a gas leak, no Internet and other Hitchcock-style horrors, I got one of those reviews that made my heart stutter with delight. Indie Ebook Reviews had actually posted in April what I'd just stumbled across. It was like digging up that perfect, golden potato under the soil. Because Ms. Glass so got it, I will post it here:

In the world of YA fiction, the paranormal romances Twilight inspired have recently been replaced by an outbreak of dystopian fiction – with Suzanne Collins’ The Hunger Games leading the way and Scott Westerfield’s Uglies and Ally Condie’s Matched close behind.  Catherine Stine’s Fireseed One taps into this trend, although its slightly retro cover signals she is steeped in traditional sci-fi and not just an arriviste to the genre.


Also differentiating it from those other recent hits is the fact that the lead character is male – 18-year old Varik – although he is soon joined by the feisty Marisa Baron.  The novel is set in 2089, with the US a lethal ‘Hotzone’ full of ‘refugees’ who the propaganda channel known as ‘the stream’ insists are dangerous. Varik’s father, a marine biologist, has been murdered leaving his son in charge of his sea-farm and valuable seed-banks, which are the world’s main food supply.  When he catches Marisa stealing seeds and his crops are struck with the plague, Varik sets off with her on a quest that leads him into the Hotzone to find the ‘fireseed’ his father is rumored to have created, learning along the way that the lines between good and evil are more blurred than he thought.


The vision of the future Stine creates – of a world divided into have and have-nots by climate change and utterly dependent on GM crops – is convincing.  The book has a strong satirical slant, with interesting things to say both about the way the media demonizes refugees and how advertising penetrates every corner of our lives – each news update from ‘the stream’ ends with an ironic sponsor’s ad, devastating news of riots being: ‘brought to you by Restavik Chophouse, where the boar is better than home-grilled and the ladies drink free on Saturdays.’

Shin Kaskade, Tech Wizard
by Catherine Stine

The writing is strong, using the present tense to create freshness and full of vivid verbs.  It is the little, specific details that make this world so three-dimensional.  In the first few pages we get the horrific, cinematic image of Varik’s father’s corpse (‘famished viperfish had gouged his hands’), along with tender details that really nail the father-son bond (‘I’ll miss our docksides fish fries, our midnight boat rides…our poker games for abalone.)  Varik’s trendy friend Audun has a ‘shark-tooth earring’.  A firestorm burns the sky with ‘molten arteries of light.’  Stine has also created a believable slang for the teenagers, with Varik exclaiming ‘yummo’, ‘fry me’ and ‘burn it’.


I do think there’s one plot hole – if the entire world is dependent on Agar as a food-source, why would it be left in the hands of one nice, ordinary seeming biologist and then his disinterested 18-year old son?  This was, ultimately, a bit unconvincing – especially when Varik leaves the last feeble Agar plant in the hands of his best mate who seems more interested in baking scones.  A brutal regime which uses propaganda to stamp out sympathy for the starving would surely be a bit more hands-on about its supply chain!
...It’s a great young adult book though, with a sweet central romance and lots of inventive thrills.

Review by Evie Glass

Juko
by Catherine Stine

To celebrate, I am offering a signed paperback copy of Fireseed One at a huge discount--$5 (includes postage)--to anyone who emails me at kitsy84557 (at) gmail (dot) com.
Or, if you prefer, order an ebook, on sale at B&N or Amazon for $0.99, and I'll send you a signed copy of an illustration from Fireseed One.
Offer good for two weeks (Through Aug 15).


Now, to do a power visualization that Con Ed will come turn on our gas and hot water!

Cheers, Catherine

The Fine Points Between YA Dystopia and Sci-fi

What distinguishes a YA dystopian novel from a YA sci-fi novel? And is there a difference between hard-core genre sci-fi, and creating a futuristic world, conceivable by scientific standards? What is the prevailing mood towards these genres?

Dystopias are almost always cautionary tales—utopias that have soured—and tropes for real life scary cultural trends such as fascism, climate change and technology run amok. Interestingly enough, the ancient translation of the word utopia is “no place”, which suggests that a utopia cannot actually exist.

A classic example of a dystopia that almost all high-school students read—and end up loving—is George Orwell’s 1984. Written in 1948, Orwell warned people of the dangers of totalitarian government a la Stalin’s Russia, and the loss of one’s personal independence in a repressive style of communism. Control in 1984 is obtained through mass brainwashing, and Big Brother’s ultimate desire is to have a person die loving the Party; this, so that there’s no danger of the “vaporized unperson” becoming a martyr and fomenting rebellion. Does Big Brother succeed? Ah! For the answer to that question, you must read Orwell’s very clever afterward.

Some current YA dystopias are THE HUNGER GAMES by Suzanne Collins, set in an alternate USA, where teens fight to the death for the richest district’s entertainment, and BIRTHMARKED by Caragh O’Brien, a world where life is reduced to helping birth babies for the exclusive set inside the Enclave by “Unlake” Michigan.

So, what about YA sci-fi? I believe it’s slowly but confidently creeping into the YA canon, despite some editors fears that teens won’t “get” the science behind the stories, and therefore must be limited to YA fantasy where there is no steep learning curve. Quite the contrary, I think teens are itching for this kind of concrete, yet visionary material. After all, the classic authors such as Sir Arthur C. Clarke ended up inventing satellite technology. I mean, how cool is that?! In Clarke’s own inspiring words: "Any sufficiently advanced technology is indistinguishable from magic." Who wouldn’t want to explore the magic of the real world?

There’s no need to fear that pages of details will overrun the genre on how to build a robot from scratch, or power a rocket. No current author wants to mimic the old-school adult genre. So, there’s no need for authors writing YA sci-fi to hide it under names like “futuristic thriller”.

Current examples of YA sci-fi run the gamut from Cory Doctorow’s LITTLE BROTHER, a sort of cyberfest for Internet geeks (And major nod to Orwell’s Big Brother), and THE ADORATION OF JENNA FOX by Mary Pearson, which explores the ethics of using new science in medicine, and the nature of the soul.

And now, onto the difference between YA dystopia and Post-apocalyptic fiction… for this discussion, I will ferry you onto the excellent post by YA Highway:

http://www.yahighway.com/2010/06/dystopian-and-apocalypse-whats.html

But before running off, you may want to answer this challenging question: Is S.A. Bodeen’s THE COMPOUND post-apocalyptic, sci-fi, or simply a thriller?